Magic Lantern Guides: Nikon D90
- The first DSLR with high definition movie capability demands new skills and techniques, and this is the only guide that can help the advanced amateur master them
- Written by best-selling author and Nikon technical expert Simon Stafford
The Nikon D90 Companion
The Nikon D90 camera has exploded on the digital photography market, with a myriad of new features, including the industry-first HD video capability. The Nikon D90 Companion is intended to serve as a full-on photography class, one that covers everything including technical matters and exposure theory, composition theory, and how to find images and expand your visual sense. However, unlike a regular photography class, this book is built specifically around the D90, which means every concept is written about in terms of the D90's controls and features. By the time you're done with this book, you'll not only know how all the D90's controls function, but you'll also know how to recognize a good photo and how to use the D90's controls to represent that subject as a compelling image. In other words, you'll be a better photographer, whether you're shooting simple snapshots or aiming for something more.
Shooting Panoramas
By Ben Long
No matter how wide your lens might go, there will still be times when you face a vista that just can’t be captured in one frame. Now you can take a series of frames with your Nikon D90 images, and, rather than layering them together as a collage, you can digitally merge them into a single seamless image.
Shooting this type of panoramic image requires a combination of shooting technique and special software. You must shoot your images in a particular way to ensure that they contain the information you need to construct a good panorama and then use special stitching software to create the seamless merge. (Your Nikon Software Suite Disk includes a panoramic stitching program called PhotoStitch, and Photohsop and Photoshop Elements have good stitching tools.)
Choosing a Focal Length for Panoramas
Making a successful panoramic shot begins by shooting usable images. First, you must choose a focal length. If you choose a shorter (wider-angle) focal length, then you won’t need as many shots to cover the width of your panorama. However, a shorter focal length will have a deep depth, which will render many objects in your scene very small. Also, a super-wide angle might confuse some stitching programs. This panorama was shot with a shorter, wider-angle focal length. Although a wider angle lets you cover a wider area with fewer shots, it means the distant objects will be smaller.
If you choose a longer focal length, distant objects will appear larger, but you’ll have to shoot more frames, which will increase your chances of making an error and ending up with unusable source material. This panorama was shot with a longer, more telephoto focal length. It took more images to cover the scene, but objects in the foreground and background are larger and more prominent. Consequently, your best option is to aim somewhere in the middle and choose a moderate focal length that reveals the details you want to see but is still wide enough that you don’t have to shoot a lot of frames to cover your scene. Once you’ve selected a focal length, it’s time to think about exposure.
Setting Panoramic Exposure
From a panoramic photography standpoint, one of the things that's really annoying about the world is that it’s not lit perfectly evenly. This problem is much more pronounced when shooting a panorama than when shooting a single frame. If you look at most any panoramic scene in the real world, you’ll probably find that one end is brighter than the other. The reason this is a drag for panoramic shooting is that the area that’s brighter will expose differently than the area that’s darker, and when you try to stitch your images together, you could very well end up with weird color bands in the sky. This panorama was not evenly exposed.
Shooting Panoramas
By Ben Long
No matter how wide your lens might go, there will still be times when you face a vista that just can’t be captured in one frame. Now you can take a series of frames with your Nikon D90 images, and, rather than layering them together as a collage, you can digitally merge them into a single seamless image.
 |  |
Shooting this type of panoramic image requires a combination of shooting technique and special software. You must shoot your images in a particular way to ensure that they contain the information you need to construct a good panorama and then use special stitching software to create the seamless merge. (Your Nikon Software Suite Disk includes a panoramic stitching program called PhotoStitch, and Photohsop and Photoshop Elements have good stitching tools.)
Choosing a Focal Length for Panoramas
Making a successful panoramic shot begins by shooting usable images. First, you must choose a focal length. If you choose a shorter (wider-angle) focal length, then you won’t need as many shots to cover the width of your panorama. However, a shorter focal length will have a deep depth, which will render many objects in your scene very small. Also, a super-wide angle might confuse some stitching programs. This panorama was shot with a shorter, wider-angle focal length. Although a wider angle lets you cover a wider area with fewer shots, it means the distant objects will be smaller.
 |  |
If you choose a longer focal length, distant objects will appear larger, but you’ll have to shoot more frames, which will increase your chances of making an error and ending up with unusable source material. This panorama was shot with a longer, more telephoto focal length. It took more images to cover the scene, but objects in the foreground and background are larger and more prominent. Consequently, your best option is to aim somewhere in the middle and choose a moderate focal length that reveals the details you want to see but is still wide enough that you don’t have to shoot a lot of frames to cover your scene. Once you’ve selected a focal length, it’s time to think about exposure.
Setting Panoramic Exposure
From a panoramic photography standpoint, one of the things that's really annoying about the world is that it’s not lit perfectly evenly. This problem is much more pronounced when shooting a panorama than when shooting a single frame. If you look at most any panoramic scene in the real world, you’ll probably find that one end is brighter than the other. The reason this is a drag for panoramic shooting is that the area that’s brighter will expose differently than the area that’s darker, and when you try to stitch your images together, you could very well end up with weird color bands in the sky. This panorama was not evenly exposed.
 |
The vertical bands in the middle of the image are the result of the stitching program trying to reconcile the different exposures. To compensate for this, you’ll want to use the same exposure for all your shots. On the D90, this is easy to achieve, thanks to the auto exposure lock located on the back of the camera.
Try this: Point your camera in a predominantly bright direction, and half-press the shutter to take a meter reading. Note the shutter speed and aperture that are chosen. While holding the shutter button down, point the camera in a darker direction. You should see the exposure settings change. The camera has chosen different exposure settings, which makes sense since you’re looking into an area that’s darker. Now return to your initial bright scene—the camera will re-meter. Press the AE-L button. An AE-L icon should appear in the viewfinder status display to indicate that your exposure is now locked.
 |  |
Now, no matter where you point the camera, that locked exposure will be used. (Obviously, the locked settings may not be ideal for your re-framed shot, but the camera is doing what you asked—holding the exposure settings where you locked them, no matter what you’re pointed at.) Thanks to exposure lock, it’s possible to shoot a whole panorama of images, all with the same exposure. If you let go of the AE-L button, the camera will re-meter for your current framing.
Product Description
Through easy-to-follow lessons, this handy book offers a complete class on digital photography, tailored specifically for people who use the Nikon D90. This is not your typical camera guide: rather than just show you what all the buttons do, it teaches you how to use the D90's features to make great photographs-including professional-looking images of people, landscapes, action shots, close-ups, night shots, HD video, and more. With Ben Long's creative tips and technical advice, you have the perfect, camera-bag-friendly reference that will help you capture stunning pictures anywhere, anytime. The Nikon D90 Companion will show you how to:
- Take creative control and go beyond automatic settings
- Learn the basic rules of composition
- Capture decisive moments, including fast-moving objects
- Discover ways to use a flash indoors and outdoors
- Learn about different lenses, and the best time to use them
- Understand the options for shooting RAW, and whether it's right for you
- Use the D90's ability to shoot high definition video
About the Author
Ben Long is a freelance writer, photographer, and videographer based in San Francisco. A long-time computer journalist, he has written hundreds of features, reviews, and how-to's for magazines such as Macworld, MacWeek, Macworld UK, MacUser, Computer Graphics World, Maximum PC, and eMediaWeekly. He is currently a Senior Editor for CreativePro.com, where he writes a regular digital photography column. His most recent books include Apple's Pro Training guide for Aperture, Real World Aperture, Getting Started with Camera Raw, and Complete Digital Photography, 3rd Edition.As a photographer and videographer, his clients have included Blue Note Records, 20th Century Fox, the Pickle Circus, Global Business Network, Head Start, the Oklahoma Arts Institute, and the National Endowment for the Arts.
Nikon D90 For Dummies
Your Nikon D90 digital camera offers professional-quality features like 11-point autofocus, Live View, and the ability to shoot HD video. Take full advantage of every feature with Nikon D90 For Dummies! This fun and easy guide helps you understand and use all the dials and modes, manage photo size and quality, take creative control with manual settings, and share your images in print or online.
With this full-color book, getting great shots is a snap. You’ll learn to:
- Format memory cards, use Live View, create custom settings, and change lenses
- Use thumbnail and calendar displays and picture data, and get tips for inspecting your photos
- Control aperture, shutter speed, and ISO; work with active D-lighting; and use various flash modes
- Take control of lighting, exposure, and color
- Set up, shoot, and review photos using the viewscreen
- Record HD video, including sound, and know what your D90 can and can’t do
- Download, organize, and archive your images, share them in prints, e-mails, or slide shows, and use Nikon’s photo management software
- Decide when you should use JPEG and when to use NEF
- Adjust resolution for optimum print quality or file size
Use every feature of your D90, get creative, and snap great shots!
Your Nikon D90 offers professional-quality features to helpyou take your photography to the next level. Take full advantageof every one with this fun and easy guide! Understand and use all the dials and modes, manage photo size and quality, take creative control with manual settings, and share your images in print or online.
- Nuts and bolts — set up your camera, work with lenses and memory cards, and use automatic photography modes
- Go live — get the scoop on using Live View mode and recording and playing HD movies
- Gain new shooting skills — find out how to use advanced options to capture any subject like a pro
- Exposure is everything — control aperture, shutter speed, and ISO; work with Active D-Lighting; and use various flash modes
- Out of the camera — download, organize, and archive your images and share them in prints, e-mails, and slide shows
- Tips for taking perfect portraits, dynamic action shots, and beautiful nature pics
- Techniques for manipulating color and focus
- Detailed coverage of every menu option
- Advice on which Custom Settings to use (and which ones to avoid)
- How to choose the right Image Quality setting
- Help with using Retouch menu options to fix problem photos
- Easy-to-understand explanations of technical lingo
Mastering the Nikon D90
The Nikon D90 is the long-awaited upgrade to the popular D80 digital SLR. The D90 sits between the D60 and D300 in Nikon's DSLR lineup, though many of its features come from its more expensive sibling.
In this book, Darrell Young provides a wealth of information and professional insights for owners of this powerful new camera. Each chapter explores the features and capabilities of the D90 in detail, surpassing basic user manuals by providing step-by-step menu setting adjustments coupled with illustrations and logical explanations for each option. Darrell Young's writing style allows the reader to follow directions in a friendly and informative manner, as if a friend dropped in to share his experienced knowledge without "talking down" to you, explaining the how and the why.
Darrell gives special emphasis to the amazing HD movie capabilities of the D90, which create new possibilities for the creative photographer.
Mastering the Nikon D90 is the fourth volume in the highly successful series of Nikonians Press camera books.
Darrell Young (DigitalDarrell) is an information technology engineer by trade. He's been an avid photographer since 1968 when his mother gave him a Brownie Hawkeye camera.
Darrell has used Nikon cameras and Nikkor lenses since 1980. He has an incurable case of Nikon Acquisition Syndrom (NAS) and delights in working with Nikon's newest digital cameras.
Living near Great Smoky Mountains National Park has given him a real concern for, and interest in, nature photography.
He loves to write, as you can see in the Resources area of the Nikonians.org community. He joined the community in 2000 and his literary contributions led to an invitation to become a Founding Member of the Nikonians Writers Guild.
Nikon D90: Focal Digital Camera Guides
Just bought a Nikon D90 and looking to combine practical know-how with inspiration? This one-stop, easy-to-read guide covers all the basic functions of the camera, and everything beyond.
Inside, you'll find detailed explanations of every control and every feature, including full-color illustrations showing how changing each setting will affect your photos. But this book's greatest strength isn't its focus on the camera; it's the detailed, easy-to-follow instruction it offers on using your camera to take superior photographs. The lens, the subject matter, the light - all these variables are covered in depth, and always in the context of the Nikon D90.
Written by a widely acclaimed photographer and photography instructor, the Nikon D90 Digital Camera Guide shows you how to get the shots you can see in your head but have never been able to capture with a camera.
*Get up and running in five minutes with the quick start guide
*Profit from dozens of tips and tricks
*Master all of your camera's many features and controls
*See first-hand how different settings affect your photos
*Refine and manage your photos using the Nikon photo software
*Be inspired by hundreds of gorgeous, full color photographs, and learn how to get the same effects in your own shots
**Get you FREE Nikon D90 Pocket Guide with purchase! Visit www.focalpress.com/camerapocketguides for more info**
*Reveals the creative potential of your camera with clear, practical guidance, great tips, and advice from an experienced photographer
*Highly visual approach with camera screenshots, highlighted tip boxes, and inspiring photos throughout
*Includes valuable advice on general digital photography techniques as well as camera-specific information
Corey Hilz is a professional photographer specializing in nature and travel photography. His work is seen in magazines, books, calendars and catalogues, as well as in art galleries. Corey finds the diversity in nature offers boundless opportunities for new images. He approaches his subjects with an artistic eye, looking for a fresh perspective. Corey shares his approach to photography in workshops he teaches in the United States and abroad. Corey has a passion for helping others improve their photography by sharing his knowledge through group and private instruction.
Nikon D90 compared to the Nikon D80, Canon EOS 450D, Pentax K20D
Nikon D90 advantages
- 11-point AF (1 cross-type) with 3D tracking
- 12 white balance presets (plus five slots for manual presets)
- Video (1080 x 720, 24fps)
- 4.5 fps continuous shooting rate
- High resolution 920,000 dot 3.0" LCD
 Nikon D90 |  Nikon D80 |  Canon EOS 450D |  Pentax K20D | |
Price (Body only) (With kit lens) | $999/£639 $1235/£799 | $652/£389 $785/£549 | $579/£408 $655/£457 | $965/£620 $995/£630 |
| Construction | • Plastic • Aluminum alloy | • Plastic • Aluminum alloy | • Plastic • Metal sub-structure | • Plastic • Metal sub-structure |
| Control dials | Two | Two | One | Two |
| Sensor Type | CMOS | CCD | CMOS | CMOS |
| Dust removal | • Image Sensor Cleaning • Image Dust Off | • Image Dust Off | • Low-pass filter vibration • Anti-static coating • Dust delete data | • SP coating • Dust removal using SR unit • Dust alert mode |
| Effective pixels | 12.3 million | 10.2 million | 12.2 million | 14.6 million |
| Pixel Density | 3.3 MP/cm² | 2.7 MP/cm² | 3.7 MP/cm² | 4.0 MP/cm² |
| Aspect ratio | 3:2 | 3:2 | 3:2 | 3:2 |
| FOV crop | 1.5x | 1.5x | 1.6x | 1.5x |
| Environmental sealing | • No | • No | • No | • Yes |
| Image stabilization | • Kit lens | • No | • Kit lens | • Sensor shift |
| Live View | • Yes • Contrast AF only • Face priority | • No | • Yes • Contrast or Phase AF | • Yes • Phase AF only |
| File formats | • JPEG • RAW (NEF) | • JPEG • RAW (NEF) | • JPEG • RAW (CR2) | • JPEG • RAW (PEF) • RAW (DNG) |
| Video | Yes 720p, 24fps | No | No | No |
| Auto focus | • 11 point • 1 cross-type • -1 to 18 EV | • 11 point • 1 cross-type • -1 to 18 EV | • 9 point • 1 cross-type • -0.5 to 18 EV | • 11 point • 9 cross-type • -1 to 18 EV |
| Metering sensor | 480 zone | 480 zone | 35 zone | 16 zone sensor |
| Metering modes | • 3D Color Matrix • Center-Weighted (6,8 or 10 mm diameter area) • Spot Metering | • 3D Color Matrix • Center-Weighted (6,8 or 10 mm diameter area) • Spot Metering | • Evaluative • Partial • Spot • Centre-weighted average | • Multi-segment • Center-weighted average • Spot |
| Exp. comp. | +/- 5.0 EV | +/- 5.0 EV | +/- 2.0 EV | +/- 3.0 EV |
| Continuous rate (high) | • 4.5 fps • 100 JPEG • 11 RAW | • 3 fps • 23 JPEG • 6 RAW | • 3.5 fps • 53 JPEG/Fine • 6 RAW | • 3 fps • 38 JPEG Hi • 14 RAW • 16 DNG |
| White balance | • Auto • 12 presets (with adj) • 5 manual presets • Kelvin temperature | • Auto • 8 presets (with adj) • Manual preset • Kelvin temperature | • Auto • 6 presets (with adj) • Manual preset • Kelvin temperature | • Auto • 6 presets (with adj) • Manual preset • Kelvin temperature |
| Image parameters | • 7 presets • 9 User defined • Quick Adjust • Sharpening • Contrast • Brightnesss • Saturation • Hue • B&W filter • B&W tone | • 7 presets • Sharpening • Tone • Color mode • Saturation • Hue • B&W filter • B&W tone | • 6 presets • 3 User defined • Sharpness • Contrast • Saturation • Color tone • B&W filter • B&W tone | • 6 presets • Saturation • Hue • Contrast • Sharpness |
| Noise reduction control | 4 levels | 4 levels | On/Off | 4 Levels |
| DR extension mode | D-Lighting | D-Lighting | Highlight Tone Priority | DRng |
| External flash | • Hot-shoe • Wireless flash | • Hot-shoe • Wireless flash | • Hot-shoe • Wireless flash via optional controller | • Hot-shoe • Wireless flash |
| Flash sync speed | 1/200 sec | 1/200 sec | 1/200 sec | 1/180 sec |
| Viewfinder | • Pentaprism • 96% coverage • 0.94 x magnification | • Pentaprism • 95% coverage • 0.94 x magnification | • Pentamirror • 95% coverage • 0.87x magnification | • Pentaprism • 95% coverage • 0.95x magnification |
| LCD monitor | • 3.0" TFT LCD • 920,000 dots | • 2.5" TFT LCD • 230,000 dots | • 3.0" TFT LCD • 230,000 dots | • 2.7 " TFT LCD • 230,000 dots |
| Top panel LCD | Yes | Yes | No | Yes |
| Vertical grip | Yes, MB-D80 | Yes, MB-D80 | Yes, BG-E5 | Yes,D-BG2 |
| Dimensions | 132 x 103 x 77 mm (5.2 x 4.1 x 3.0 in) | 132 x 103 x 77 mm (5.2 x 4.1 x 3.0 in) | 129 x 98 x 62 mm (5.1 x 3.9 x 2.4 in) | 142 x 101 x 70 mm (5.6 x 4.0 x 2.8 in) |
| Weight (inc batt) | 703 g (24.8 oz) | 668 g (23.6 oz) | 524 g (18.5 oz) | 800 g (28.2 oz) |
Nikon D90 compared to the Nikon D80
As you can see from the table below the D90 carries some quite significant improvements compared to the D80.
 Nikon D80 | ||
|---|---|---|
| Sensor | • 12.3 million effective pixels • 23.6 x 15.8 mm CMOS (DX format) | • 10.2 million effective pixels • 23.6 x 15.8 mm CCD (DX format) |
| Image sizes | • 4,288 x 2,848 (12 MP) • 3,216 x 2,136 • 2,144 x 1,424 | • 3872 x 2592 (10.0 MP) • 2896 x 1944 • 1936 x 1296 |
| Sensor cleaning | • Image Sensor Cleaning • Image Dust Off reference data (optional Capture NX 2 software required) | • Image Dust Off reference data (optional Capture NX software required) |
| Autofocus | • 11 area TTL • Nikon Multi-CAM1000 | • 11 area TTL • Nikon Multi-CAM 1000 |
| Lens servo | • Single-servo AF (AF-S) • Continuous-servo AF (AF-C) • Automatic AF-S/AF-C (AF-A) • 3D Tracking AF (11 points) • Manual focus (M) | • Single-servo AF (AF-S) • Continuous-servo AF (AF-C) • Automatic AF-S/AF-C (AF-A) • Manual focus (M) |
| Sensitivity | • ISO 200 - 3200 • ISO 100-6400 with boost | • ISO 100 - 1600 • Up to ISO 3200 with boost |
| Built-in flash | Guide number 17 (ISO 200) | Guide number 13 (ISO 100) |
| Active D-lighting | Can be selected from Auto, Extra high, High, Normal, Low, or Off | No |
| Continuous | • 4.5 fps • 23 / 6 frames (JPEG / RAW) | • 3 fps • 23 / 6 frames (JPEG / RAW) |
| White balance | • Auto • 6 presets • Kelvin color temperature • Manual preset (immediate or from photo) | • Auto • 6 presets • Kelvin color temperature • Manual preset (immediate or from photo) |
| Image presets | • Standard • Neutral • Vivid • Monochrome • Landscape • Portrait • Storage for up to nine custom Picture Controls | • Normal • Softer • Vivid • More Vivid • Portrait • B&W |
| Viewfinder Frame coverage | • Approx. 96% | • Approx. 95% |
| LCD monitor | • 3.0" TFT LCD • 920,000 pixel TFT (RGB x 3 colors) • 170 degree viewing angle • Removable protective cover | • 2.5" TFT LCD • 230,000 pixel TFT • 170 degree viewing angle • Removable protective cover |
| Dimensions | 132 x 103 x 77 mm (5.2 x 4.1 x 3.0 in) | 132 x 103 x 77 mm (5.2 x 4.1 x 3.0 in) |
| Weight | • No battery: 620 g (1.4 lb) • With battery: 703 g (1.6 lb) | • No battery: 585 g (1.3 lb) • With battery: 668 g (1.5 lb) |
| Image processing engine | • Expeed • 12 bit | • New for D80 • Based on D200 / D2X • 12-bit algorithms, 2-channel |
| In-camera retouching | • D-Lighting • Red-eye reduction • Trimming • Monochrome & filter effects • Color balance • Small picture • Image overlay • NEF (RAW) processing • Quick retouch • Straighten • Distortion control • fisheye | • D-Lighting • Red-eye reduction • Trimming • Overlay • Monochrome and Filter • Small picture • Image overlay |
| Movie mode | Yes | No |
| Live View | Yes | No |
| Others | • Scene Recognition System • Face Detection • Calendar Display • New information display on main LCD • Vignetting control in-camera | |
Nikon D90 - Pros/Cons
Conclusion - Pros
- Image quality comparable with its peers
- Excellent viewfinder
- Superb high resolution LCD monitor
- Automatic chromatic aberration correction improves performance from all lenses
- Punchy but not un-natural colors (and plenty of control if you want to change them)
- Good dynamic range - and Active D-Lighting to help make the most of it
- Useful in-camera RAW processing option
- Excellent degree of customization (reversible dials and meter ease transition from other systems)
- Fast Autofocus with useful control options
- High sensitivity performance up there with the best we've seen
- Sophisticated wireless flash commander built-in
- Programmable FUNC button with useful list of functions
- Configurable 'My Menu' (and option for FUNC button to access the top item on it)
- Excellent build quality, tight shut lines, quality materials
- Instant power on, very responsive in-use
- Auto-focus assist lamp rather than requiring flash to be raised
- Control over high sensitivity noise reduction
- Customizable automatic sensitivity (ISO)
- Easy to use playback / delete combination
- Status LCD panel on top of camera (we still like them)
- Fast continuous shooting mode
- Good SD card throughput and USB 2.0 transfer speed
- Extensive retouching features including D-Lighting, Red-eye reduction and distortion correction
- Good battery life and precise charge-level indication
- Dedicated help button provides in-menu assistance
- HD video
Conclusion - Cons
- Over-enthusiastic metering a little prone to blown highlights
- Very soft (default) JPEG output compared to its peers
- We believe more of the captured dynamic range could be incorporated into Jpegs
- Menus getting long and complex (though well organized and differentiated)
- Bundled software pretty limited
- Arbitrary 100-shot limit on continuous shooting
- Disappointing automatic white balance performance in incandescent light
- In-camera RAW conversion could provide more control
- Video capabilities limited in a number of ways
Nikon D90 specifications
| Family Line | Nikon D |
| Weight | 1.38 lb. |
| Image Sensor Type | CMOS |
| Resolution | 12.9 Megapixel |
| Camera Type | SLR/Professional |
| Interchangeable Lens | Interchangeable Lenses |
| Camera Resolution | 12.9 Megapixel |
| Image Resolutions | 4288 x 2848 • 3216 x 2136 • 2144 x 1424 |
| Video Resolutions | 640 x 480 (VGA) • 1280 x 720 • 320 x 240 |
| Video Speed | 24 fps |
| Video Format | AVI • Motion JPEG |
| Shutter Speed | 30 - 1/4000 sec |
| White Balance | Auto • Manual • Daylight / Sunny (Preset) • Fluorescent (Preset) • Incandescent (Preset) • Shade (Preset) • Flash (Preset) |
| Frames Per Second | 4.5 Frames |
| Memory Type | SD Card • SDHC Card • Eye-Fi SD Card |
| Compression Type | JPEG • Raw Image • DPOF • EXIF 2.21 • DCF 2.0 |
| ISO Speeds | 100 • 200 • 3200 • 6400 |
| Flash Type | Built-In & External |
| Flash Functions | Auto Flash • Front Sync Flash • Rear Sync Flash • Fill-in Flash • Red-eye Reduction Flash • Slow Sync • Manual |
| Viewfinder | Optical (Through-the-lens) |
| LCD Panel | With LCD Panel |
| LCD Panel Size | 3 in. |
| LCD Screen Resolution | 920,000 pixels |
| LCD Protected Position | Without LCD Protected Position |
| Interface Type | USB 2.0 • HDMI |
| Video Interface | Video Out |
| Battery Type | Rechargeable Li-Ion Battery |
| Battery Life | 850 Images |
| Self Timer | 2 Sec. • 5 Sec. • 10 Sec. • 20 Sec. |
| Built-in Microphone | With Built-in Microphone |
| Tripod Mount | With Tripod Mount |
| Operating System | Microsoft Windows XP • Microsoft Windows Vista |
| Width | 5.2 in. |
| Depth | 3 in. |
| Height | 4.1 in. |
| Included Accessories | Software • USB Cable • Battery Charger • Strap • AV Cable • Li-Ion Rechargable Battery |
| Release Date | September, 2008 |
| Product ID | 70621739 |
| MPN | D90KIT18105VR |
| Weight | 2.3 lb. |
| Optical Zoom | 5.8x |
| 35mm Zoom Lens | 27 - 157.5 mm |
| Digital Zoom | Without Digital Zoom |
| Focus Type | Autofocus |
| Focal Length | 18 - 105 mm |
| Aperture Range | f3.5/f5.6 (w/t) |
| Product ID | 70621646 |
Nikon D90 12.3MP DX-Format CMOS Digital SLR Camera with 18-105mm f/3.5-5.6G ED AF-S VR DX Nikkor Zoom Lens
Fusing 12.3-megapixel image quality inherited from the award-winning D300 with groundbreaking features, the D90's breathtaking, low-noise image quality is further advanced with EXPEED image processing. Split-second shutter response and continuous shooting at up to 4.5 frames-per-second provide the power to capture fast action and precise moments perfectly, while Nikon's exclusive Scene Recognition System contributes to faster 11-area autofocus performance, finer white balance detection and more.
The D90 delivers the control passionate photographers demand, utilizing comprehensive exposure functions and the intelligence of 3D Color Matrix Metering II. Stunning results come to life on a 3-inch 920,000-dot color LCD monitor, providing accurate image review, Live View composition and brilliant playback of the D90's cinematic-quality 24-fps HD D-Movie mode.
Outfit includes the 5.8x AF-S DX Nikkor 18-105mm f/3.5-5.6G ED lens with VR image stabilization and legendary Nikkor optical quality.
Nikon D90 DX Digital SLR Highlights
Nikon Digital SLR image quality
The D90 incorporates a newly developed DX-format CMOS image sensor with technology directly inherited from the D300, Nikon's DX-format flagship. With its 12.3 effective megapixels and extraordinarily high signal-to-noise ratio, the D90 delivers low-noise images with detail and tonal gradation beyond your expectations, while Nikon's Integrated Dust Reduction System works to free image-degrading dust particles from the sensor's optical low-pass filter.
Nikon's comprehensive EXPEED technology is engineered to make the most of the sensor's rich, 12.3-megapixel data. The result--color, detail and high-speed processing inspired by the groundbreaking D300. The D90's image-processing engine produces high-resolution pictures at remarkable speeds, better enabling high-speed continuous shooting. EXPEED also contributes to the outstanding performance of other powerful features, including Live View and the new Face Detection System.
The D90 captures up to 4.5 images per second. Accurate 11-point autofocus is now even faster and more intelligent, aided by Nikon's exclusive Scene Recognition System. The unique Nikon 420-pixel 3D Color Matrix II Metering system, now enhanced by EXPEED image processing technologies, delivers extraordinary exposure accuracy -- immediately evident when reviewing images on the D90's super-density 3-inch 920,000-dot color LCD monitor.
New D-Movie Mode Features 720p HD cinematic quality
A new idea for D-SLRs, the D90 offers a movie function, allowing you to shoot movies in three different motion JPEG formats: 320 x 216 pixels, 640 x 424 pixels and 1,280 x 720 pixels. Now you can capture life's moving moments with added drama by using many of Nikon's NIKKOR lenses, including the AF DX Fisheye 10.5mm f/2.8G ED and the Micro-NIKKOR lenses. The shallow depth of field can give your movies a more creative and emotional impact. An additional benefit is the D90 image sensor, which is much larger than a typical camcorder for higher image quality and exceptional high ISO performance during low-light shooting.
5.8x AF-S DX Nikkor 18-105mm f/3.5-5.6G ED VR included
Famous Nikkor optical quality in a compact, versatile design, featuring Nikon VR image stabilization.
Continuous shooting as fast as 4.5 frames-per-second
The D90 captures crucial moments thanks to its impressive 0.15-second start-up time, 65-millisecond shutter-release time lag (CIPA standard) and ability to shoot at 4.5 frames a second for up to 100 shots*.
Low noise ISO sensitivity from 200 to 3200
The D90 gives you the freedom to shoot in a remarkably wide variety of lighting conditions, including dimly lit scenes, without worrying about image-degrading noise. ISO can be raised as high as Hi 1 (ISO 6400 equivalent) or lowered to Lo 1 (ISO 100 equivalent).
3-inch super-density 920,000-dot color LCD monitor
The D90's 3-in., approx. 920k-dot LCD monitor provides unprecedented quality of image display. A wide 170-degree viewing angle makes it easy to confirm focus after shooting or during Live View.
Built-in image sensor cleaning
Effective 4-frequency, ultrasonic sensor cleaning frees image degrading dust particles from the sensor's optical low pass filter.
11-point AF system with Face Priority
Thanks to Multi-CAM 1000 autofocus module, the D90's 11-point AF system has fast and precise autofocus coverage across the frame with the most sensitive AF sensor operating from the center.
In addition, the D90 has versatile AF-area modes to handle most shooting situations. The center focus point can be switched from normal to wide according to the movement of the subject.
One-button Live View
With the D90's Live View function, you can shoot effectively without looking through the viewfinder. Simply press dedicated Live View button for instant access. Three contrast-detect AF modes let you focus on any point in the frame.
Nikon 3D Color Matrix Metering II with Scene Recognition System
Nikon's renowned 420-pixel RGB 3D Color Matrix Metering II, teamed with the exclusive Scene Recognition System, evaluates images, referencing an on-board database of over 30,000 photographic scenes, for unmatched exposure accuracy.
Advance Scene Modes
When you're not sure which camera settings are appropriate, simply rely on the Advanced Scene Modes. Just turn the mode dial to the appropriate icon: Portrait, Landscape, Close-up, Sports or Night Portrait. Unlike traditional scene modes, the D90 will automatically optimize the exposure, image processing, Active D-Lighting, and Picture Control to get the most out of your subject matter. What's more, the D90 has exceptional low-noise performance and accurately adjusts the camera settings whether VR (Vibration Reduction) is activated or not, so you can expect beautiful, crisp images, even in many low-light scenes.
Auto Active D-Lighting
Details in the shadows and highlighted areas of your photos are often lost when strong lighting increases the contrast between the bright and dark areas of your image. Nikon's unique Active D-Lighting technology accurately restores these important details by localizing tone control while you shoot. Choose from four levels, including the new Extra High. Active D-Lighting can be used manually or set to Auto mode. It is also possible to bracket your pictures to get one with Active D-Lighting and one without.
Durable, high-precision shutter
Reliability is not a luxury--it's a necessity. That's why Nikon subjected numerous D90 shutter mechanisms to grueling 100,000-cycle shutter-release tests with the unit fully assembled in the camera.
Built-in, Pop-up Flash
The D90 is equipped with Nikon's i-TTL flash control, renowned for consistently accurate and balanced flash exposures. The built-in flash has an 18mm lens coverage and works as a wireless commander, controlling up to two independent groups of an unlimited number of remote Speedlights and providing incredible creative lighting control--on location or in the studio.
In-camera image editing
Creative freedom stems from exclusive in-camera image editing, featuring Fisheye effect, Straighten and Distortion Control as well as D-Lighting, Red-eye Reduction, Image Overlay, Monochrome and more.
HDMI Compatible
You can enjoy both still images and movies shot with the D90 via HDMI (High-Definition Multimedia Interface) with the global-standard digital A/V signal transfer. HDMI Mini connector is employed.
GPS geo-tagging
The optional GP-1 GPS unit provides automatic real-time geo-tagging.
Learn more about this camera
at DPReview.com
Nikon D90 Digital SLR: Highly recommended by dpreview.com
Almost exactly two years after the D80 was announced comes its replacement, the rather predictably named D90. The D80 has been one of Nikon's quiet successes, and even today, despite being positively Methuselah-like in digital camera terms it continues to sell and often makes its way into our top 10 most clicked on cameras. Because it looks so similar to the D80 the D90 appears at first glance to be one of those rather subdued incremental upgrades, but dig a little deeper and you'll find there's plenty to keep Nikon fans happy.
First and foremost there's a new CMOS sensor, which Nikon claim produces D300 quality output at up to ISO 6400 and - one of several features to 'trickle down' from higher models - the same highly acclaimed 3.0-inch VGA screen as the D3/D300. Naturally it has Live View with contrast-detect AF and it would have been surprising had it not sported some form of dust removal system. More surprising is the inclusion of the world's first DSLR movie mode (720p HDTV quality, no less) and HDMI output, though as we'll see later it does come with some limitations. A lot of the core photographic spec is the same as or very similar to the D80, though there is a new shutter and an implementation of the 3D tracking AF seen on the D3/D300.
And it's not just the high end models that have lent features and technology to the D90; the user interface has been given the same user-friendly treatment as the D60, as have the retouching options. As it was explained to us the D90 is intended to appeal to the broadest audience of any Nikon SLR, from first-time 'step up' customers moving from a compact to serious amateurs wanting comprehensive photographic control without the cost and weight of a D300. Whether the D90 is as capable as its feature set suggests, we'll see as the review unfolds.
Nikon D90 Key Features
Although it's had a bit of a design refresh with slightly sharper lines, the D90 is externally very similar to its predecessor (dimensions are identical, though it is heavier). Looking at the differences it's obviously a solid incremental upgrade rather than a total reinvention of the popular D80, with several key improvements (most importantly the sensor and screen) and a welcome smattering of must-have 2008 features (live view, dust removal). Oh yes, and of course there's that one little new feature sitting at the back of the classroom with its hand waving in the air, shouting 'Sir! Sir!'; the 'world's first' DSLR movie mode.
Read more at dpreview.com
Read more digital camera reviews
at Wired.com Nikon D90 Takes World Champion DSLR Title Belt
Sometimes the mere notion of being "number two" can light a motivational fire under your keister. Look at some famous folks who, despite being considered numero dos, went on to dominate their respective fields and even eclipse their predecessors: A pupil of Socrates, Plato opted not to go the hemlock-chugging route and instead helped lay down the foundations of Western philosophy. Tom Brady was destined to be a career second banana until Drew Bledsoe's internal bleeding set him on the path to three Super Bowl wins. Jean-Luc Picard played second fiddle to Kirk only to become the greatest captain in Star Trek. Ever. (Watch TNG's season 3 finale if you don't believe me.) And in the world of DSLR cameras, Nikon has been toiling to one day escape from the shadow of a certain photo-manufacturing giant whose name rhymes with "Danon." And with its newest shooter it looks like that day may have finally come.
Nikon's latest offering, the 12-megapixel D90 is a feature-packed fistful of photo fury that's sure to help pave your way to full-fledged Flickrati status. Straight from the box and out on the street the D90 shows off its picture-making prowess. Our testing unit came bundled with a (bordering on) superwide 18-105mm f3.5-5.6 lens that we used for all of our evaluations.
The 11-point focusing system with the face priority speedily locks onto subjects while the automatic Active D-Lighting (a feature that optimizes details within shadows and high contrast subjects) is a noticeable step forward in on-camera illumination. The flash images show off a pleasing balance between the strobe and the ambient light even when just shooting in the full Auto and Program modes. Nikon's also got a convergence hit with the integration of a movie mode that makes three flavors of video, the yummiest being up to five minutes of 720p HD in a cinematic 16:9 aspect ratio. Owing to the size of the sensor and the higher quality optics, video clarity and depth of field are on par with the D90's stills. And when it comes to checking your work, Nikon's made it easy, loading the D90 with the same high-res 3-inch LCD found on its $5000 D3. If that's not big enough, just plug it straight into your HDTV with the built-in HDMI connection. All told this camera has scads of grin-worthy features that will continue to feed your frenzy-filled lifestyle for some time to come. That is until another camera comes along to usurp its throne.
RATING 9 out of 10
WIRED Enormous image sensor blows open the door to some of the finest 12.3-megapixel images we've produced yet. Nikon's top-of-the-line high-res 3-inch LCD is prettier than looking at a supermodel with beer goggles. In-camera dust reduction is spot on at removing spots from the sensor. One-touch info button and simple, descriptive help screens clarify deep, detailed menus. Toss out your camcorder; the 720p, 24 fps video capture on the D90 will trump its performance — especially in low lighting. Face facts: Face-detection system works quickly, accurately, and effortlessly.
TIRED Only manual focus in the video mode. Seriously, this is really the only problem we had with the D90 and even that was a stretch.
Camera Resolution 12.3 megapixels, with 15.8 x 23.6mm CMOS sensor.
 |
Outfit includes the 5.8x AF-S DX Nikkor 18-105mm f/3.5-5.6G ED lens with VR image stabilization and legendary Nikkor optical quality.
Nikon D90 DX Digital SLR Highlights
Nikon Digital SLR image quality
The D90 incorporates a newly developed DX-format CMOS image sensor with technology directly inherited from the D300, Nikon's DX-format flagship. With its 12.3 effective megapixels and extraordinarily high signal-to-noise ratio, the D90 delivers low-noise images with detail and tonal gradation beyond your expectations, while Nikon's Integrated Dust Reduction System works to free image-degrading dust particles from the sensor's optical low-pass filter.
 |
The D90 captures up to 4.5 images per second. Accurate 11-point autofocus is now even faster and more intelligent, aided by Nikon's exclusive Scene Recognition System. The unique Nikon 420-pixel 3D Color Matrix II Metering system, now enhanced by EXPEED image processing technologies, delivers extraordinary exposure accuracy -- immediately evident when reviewing images on the D90's super-density 3-inch 920,000-dot color LCD monitor.
New D-Movie Mode Features 720p HD cinematic quality
A new idea for D-SLRs, the D90 offers a movie function, allowing you to shoot movies in three different motion JPEG formats: 320 x 216 pixels, 640 x 424 pixels and 1,280 x 720 pixels. Now you can capture life's moving moments with added drama by using many of Nikon's NIKKOR lenses, including the AF DX Fisheye 10.5mm f/2.8G ED and the Micro-NIKKOR lenses. The shallow depth of field can give your movies a more creative and emotional impact. An additional benefit is the D90 image sensor, which is much larger than a typical camcorder for higher image quality and exceptional high ISO performance during low-light shooting.
5.8x AF-S DX Nikkor 18-105mm f/3.5-5.6G ED VR included
Famous Nikkor optical quality in a compact, versatile design, featuring Nikon VR image stabilization.
Continuous shooting as fast as 4.5 frames-per-second
The D90 captures crucial moments thanks to its impressive 0.15-second start-up time, 65-millisecond shutter-release time lag (CIPA standard) and ability to shoot at 4.5 frames a second for up to 100 shots*.
Low noise ISO sensitivity from 200 to 3200
The D90 gives you the freedom to shoot in a remarkably wide variety of lighting conditions, including dimly lit scenes, without worrying about image-degrading noise. ISO can be raised as high as Hi 1 (ISO 6400 equivalent) or lowered to Lo 1 (ISO 100 equivalent).
3-inch super-density 920,000-dot color LCD monitor
The D90's 3-in., approx. 920k-dot LCD monitor provides unprecedented quality of image display. A wide 170-degree viewing angle makes it easy to confirm focus after shooting or during Live View.
Built-in image sensor cleaning
Effective 4-frequency, ultrasonic sensor cleaning frees image degrading dust particles from the sensor's optical low pass filter.
11-point AF system with Face Priority
Thanks to Multi-CAM 1000 autofocus module, the D90's 11-point AF system has fast and precise autofocus coverage across the frame with the most sensitive AF sensor operating from the center.
In addition, the D90 has versatile AF-area modes to handle most shooting situations. The center focus point can be switched from normal to wide according to the movement of the subject.
One-button Live View
With the D90's Live View function, you can shoot effectively without looking through the viewfinder. Simply press dedicated Live View button for instant access. Three contrast-detect AF modes let you focus on any point in the frame.
 |
Nikon 3D Color Matrix Metering II with Scene Recognition System
Nikon's renowned 420-pixel RGB 3D Color Matrix Metering II, teamed with the exclusive Scene Recognition System, evaluates images, referencing an on-board database of over 30,000 photographic scenes, for unmatched exposure accuracy.
 |
Advance Scene Modes
When you're not sure which camera settings are appropriate, simply rely on the Advanced Scene Modes. Just turn the mode dial to the appropriate icon: Portrait, Landscape, Close-up, Sports or Night Portrait. Unlike traditional scene modes, the D90 will automatically optimize the exposure, image processing, Active D-Lighting, and Picture Control to get the most out of your subject matter. What's more, the D90 has exceptional low-noise performance and accurately adjusts the camera settings whether VR (Vibration Reduction) is activated or not, so you can expect beautiful, crisp images, even in many low-light scenes.
Auto Active D-Lighting
Details in the shadows and highlighted areas of your photos are often lost when strong lighting increases the contrast between the bright and dark areas of your image. Nikon's unique Active D-Lighting technology accurately restores these important details by localizing tone control while you shoot. Choose from four levels, including the new Extra High. Active D-Lighting can be used manually or set to Auto mode. It is also possible to bracket your pictures to get one with Active D-Lighting and one without.
Durable, high-precision shutter
Reliability is not a luxury--it's a necessity. That's why Nikon subjected numerous D90 shutter mechanisms to grueling 100,000-cycle shutter-release tests with the unit fully assembled in the camera.
 |
The D90 is equipped with Nikon's i-TTL flash control, renowned for consistently accurate and balanced flash exposures. The built-in flash has an 18mm lens coverage and works as a wireless commander, controlling up to two independent groups of an unlimited number of remote Speedlights and providing incredible creative lighting control--on location or in the studio.
In-camera image editing
Creative freedom stems from exclusive in-camera image editing, featuring Fisheye effect, Straighten and Distortion Control as well as D-Lighting, Red-eye Reduction, Image Overlay, Monochrome and more.
HDMI Compatible
You can enjoy both still images and movies shot with the D90 via HDMI (High-Definition Multimedia Interface) with the global-standard digital A/V signal transfer. HDMI Mini connector is employed.
GPS geo-tagging
The optional GP-1 GPS unit provides automatic real-time geo-tagging.
Review from dpreview.com
Learn more about this cameraat DPReview.com
Almost exactly two years after the D80 was announced comes its replacement, the rather predictably named D90. The D80 has been one of Nikon's quiet successes, and even today, despite being positively Methuselah-like in digital camera terms it continues to sell and often makes its way into our top 10 most clicked on cameras. Because it looks so similar to the D80 the D90 appears at first glance to be one of those rather subdued incremental upgrades, but dig a little deeper and you'll find there's plenty to keep Nikon fans happy.
First and foremost there's a new CMOS sensor, which Nikon claim produces D300 quality output at up to ISO 6400 and - one of several features to 'trickle down' from higher models - the same highly acclaimed 3.0-inch VGA screen as the D3/D300. Naturally it has Live View with contrast-detect AF and it would have been surprising had it not sported some form of dust removal system. More surprising is the inclusion of the world's first DSLR movie mode (720p HDTV quality, no less) and HDMI output, though as we'll see later it does come with some limitations. A lot of the core photographic spec is the same as or very similar to the D80, though there is a new shutter and an implementation of the 3D tracking AF seen on the D3/D300.
And it's not just the high end models that have lent features and technology to the D90; the user interface has been given the same user-friendly treatment as the D60, as have the retouching options. As it was explained to us the D90 is intended to appeal to the broadest audience of any Nikon SLR, from first-time 'step up' customers moving from a compact to serious amateurs wanting comprehensive photographic control without the cost and weight of a D300. Whether the D90 is as capable as its feature set suggests, we'll see as the review unfolds.
Nikon D90 Key Features
- 12.9-megapixel DX-format CMOS sensor (effective pixels: 12.3 million)
- 3.0-inch 920,000 pixel (VGA x 3 colors) TFT-LCD (same as D3 and D300)
- Live View with contrast-detect AF, face detection
- Image sensor cleaning (sensor shake)
- Illuminated focus points
- Movie capture at up to 1280 x 720 (720p) 24 fps with mono sound
- IS0 200-3200 range (100-6400 expanded)
- 4.5 frames per second continuous shooting (buffer: 7 RAW, 25 JPEG fine, 100 JPEG Normal)
- Expeed image processing engine
- 3D tracking AF (11 point)
- Short startup time, viewfinder blackout and shutter lag
- Slightly improved viewfinder (96% frame coverage)
- Extensive in-camera retouching including raw development and straightening
- Improved user interface
- New optional compact GPS unit (fits on hot shoe)
- Same battery and vertical grip as D80
- Vignetting control in-camera
- 72 thumbnail and calendar view in playback
Although it's had a bit of a design refresh with slightly sharper lines, the D90 is externally very similar to its predecessor (dimensions are identical, though it is heavier). Looking at the differences it's obviously a solid incremental upgrade rather than a total reinvention of the popular D80, with several key improvements (most importantly the sensor and screen) and a welcome smattering of must-have 2008 features (live view, dust removal). Oh yes, and of course there's that one little new feature sitting at the back of the classroom with its hand waving in the air, shouting 'Sir! Sir!'; the 'world's first' DSLR movie mode.
- 12.3 MP CMOS sensor (D80: 10.2 MP CCD)
- Dust removal system
- Bigger, better screen (as D3, D300)
- Live View with contrast detect AF
- Movie Mode
- Wider ISO range, upgraded AF system (3D tracking, face detection)
- Active D-Lighting, vignetting control and extra retouching options
- Automatic chromatic aberration correction
- Picture Control presets
- Faster continuous shooting and larger buffer
- Pictmotion slideshows
Review from Wired.com
Read more digital camera reviewsat Wired.com
Sometimes the mere notion of being "number two" can light a motivational fire under your keister. Look at some famous folks who, despite being considered numero dos, went on to dominate their respective fields and even eclipse their predecessors: A pupil of Socrates, Plato opted not to go the hemlock-chugging route and instead helped lay down the foundations of Western philosophy. Tom Brady was destined to be a career second banana until Drew Bledsoe's internal bleeding set him on the path to three Super Bowl wins. Jean-Luc Picard played second fiddle to Kirk only to become the greatest captain in Star Trek. Ever. (Watch TNG's season 3 finale if you don't believe me.) And in the world of DSLR cameras, Nikon has been toiling to one day escape from the shadow of a certain photo-manufacturing giant whose name rhymes with "Danon." And with its newest shooter it looks like that day may have finally come.
Nikon's latest offering, the 12-megapixel D90 is a feature-packed fistful of photo fury that's sure to help pave your way to full-fledged Flickrati status. Straight from the box and out on the street the D90 shows off its picture-making prowess. Our testing unit came bundled with a (bordering on) superwide 18-105mm f3.5-5.6 lens that we used for all of our evaluations.
The 11-point focusing system with the face priority speedily locks onto subjects while the automatic Active D-Lighting (a feature that optimizes details within shadows and high contrast subjects) is a noticeable step forward in on-camera illumination. The flash images show off a pleasing balance between the strobe and the ambient light even when just shooting in the full Auto and Program modes. Nikon's also got a convergence hit with the integration of a movie mode that makes three flavors of video, the yummiest being up to five minutes of 720p HD in a cinematic 16:9 aspect ratio. Owing to the size of the sensor and the higher quality optics, video clarity and depth of field are on par with the D90's stills. And when it comes to checking your work, Nikon's made it easy, loading the D90 with the same high-res 3-inch LCD found on its $5000 D3. If that's not big enough, just plug it straight into your HDTV with the built-in HDMI connection. All told this camera has scads of grin-worthy features that will continue to feed your frenzy-filled lifestyle for some time to come. That is until another camera comes along to usurp its throne.
RATING 9 out of 10
WIRED Enormous image sensor blows open the door to some of the finest 12.3-megapixel images we've produced yet. Nikon's top-of-the-line high-res 3-inch LCD is prettier than looking at a supermodel with beer goggles. In-camera dust reduction is spot on at removing spots from the sensor. One-touch info button and simple, descriptive help screens clarify deep, detailed menus. Toss out your camcorder; the 720p, 24 fps video capture on the D90 will trump its performance — especially in low lighting. Face facts: Face-detection system works quickly, accurately, and effortlessly.
TIRED Only manual focus in the video mode. Seriously, this is really the only problem we had with the D90 and even that was a stretch.
Camera Resolution 12.3 megapixels, with 15.8 x 23.6mm CMOS sensor.
Subscribe to:
Posts (Atom)